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The James Bowman Collection

Band / artist:
James Bowman, The King’s Consort
Release date:
01.01.1996
Plays count:
0

Album tracks

List

1

St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b), No. 39, "Erbarme dich, meine Gott", Aria for alto ["Have mercy, Lord"]
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b), No. 39, "Erbarme dich, meine Gott", Aria for alto ["Have mercy, Lord"]
James BowmanThe King’s Consort

2

Solomon, oratorio, HWV 67, Act I, "Almighty pow'r! who rul'st the earth and skies", Recitative (Solomon)
Solomon, oratorio, HWV 67, Act I, "Almighty pow'r! who rul'st the earth and skies", Recitative (Solomon)
James BowmanThe King’s Consort

3

Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z. 343, No. 5a, "Britain, thou now art great" (alto)
Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z. 343, No. 5a, "Britain, thou now art great" (alto)
Henry Purcell

4

The Choice of Hercules, oratorio, HWV 69, No. 15, "Yet, can I hear that dulcet lay", Air (Hercules)
The Choice of Hercules, oratorio, HWV 69, No. 15, "Yet, can I hear that dulcet lay", Air (Hercules)
James BowmanThe King’s Consort

5

Come Tread the Paths of Pensive Pangs, song for voice & lute
Come Tread the Paths of Pensive Pangs, song for voice & lute
The King’s ConsortJames Bowman

6

Sono liete, fortunate, duet for soprano, alto & continuo, HWV 194, II. "Crudelta ne lontananza", Duet for soprano & alto
Sono liete, fortunate, duet for soprano, alto & continuo, HWV 194, II. "Crudelta ne lontananza", Duet for soprano & alto
The King’s ConsortJames Bowman

7

O solitude, my sweetest choice, song, Z. 406
O solitude, my sweetest choice, song, Z. 406
Henry Purcell

8

Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 (BC A143), VI. "Stirb in mir, Welt und alle deine Liebe", Aria for alto
Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 (BC A143), VI. "Stirb in mir, Welt und alle deine Liebe", Aria for alto
James BowmanThe King’s Consort

9

Deborah, oratorio, HWV 51, Act II, "Impious mortal, cease to brave us!", Air (Barak)
Deborah, oratorio, HWV 51, Act II, "Impious mortal, cease to brave us!", Air (Barak)
James BowmanThe King’s Consort

10

Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & continuo, Z. 332, No. 7a, "By beauteous softness" (alto)
Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & continuo, Z. 332, No. 7a, "By beauteous softness" (alto)
Henry Purcell

11

O magnum mysterium, motet for 8 voices
O magnum mysterium, motet for 8 voices
Giovanni Gabrieli

12

Esther, oratorio, HWV 50b, Act I, "Tune your harps to cheerful strains", Air (Femme israelite)
Esther, oratorio, HWV 50b, Act I, "Tune your harps to cheerful strains", Air (Femme israelite)
James BowmanThe King’s Consort

13

Since First I Saw Your Face, song for 4 voices & instruments
Since First I Saw Your Face, song for 4 voices & instruments
Thomas Ford

14

Solomon, oratorio, HWV 67, Act I, "Welcome as the dawn of day to the pilgrim on his way", Duet (Reine, Solomon)
Solomon, oratorio, HWV 67, Act I, "Welcome as the dawn of day to the pilgrim on his way", Duet (Reine, Solomon)
James BowmanThe King’s Consort

15

Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193
Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193
Henry Purcell

16

Occasional Oratorio, HWV 62, Act III, "Thou shalt bring them in", Air for soprano
Occasional Oratorio, HWV 62, Act III, "Thou shalt bring them in", Air for soprano
James BowmanThe King’s Consort

17

Première Leçon de Ténèbres, for treble voice & continuo,VII. Jerusalem, convertere
Première Leçon de Ténèbres, for treble voice & continuo,VII. Jerusalem, convertere
François Couperin

18

Rinaldo, opera, HWV 7, Act 3. Scene 9. Aria. Or la tromba in suon festante mi richiama a trionfar
Rinaldo, opera, HWV 7, Act 3. Scene 9. Aria. Or la tromba in suon festante mi richiama a trionfar
The King’s ConsortJames Bowman

19

On the brow of Richmond Hill, song, Z. 405
On the brow of Richmond Hill, song, Z. 405
Henry Purcell

20

Ode for the Birthday of Queen Anne (Eternal Source of Light Divine), HWV 74, I. Largo: Eternal source of light divine!
Ode for the Birthday of Queen Anne (Eternal Source of Light Divine), HWV 74, I. Largo: Eternal source of light divine!
James BowmanThe King’s Consort

21

Te Deum and Jubilate Deo in D major, for soloists, chorus & instruments, Z. 232, No. 1, "Te Deum laudamus" (The Song of St. Ambroise): k, "Vouchsafe, O Lord, to keep us this day" (alto)
Te Deum and Jubilate Deo in D major, for soloists, chorus & instruments, Z. 232, No. 1, "Te Deum laudamus" (The Song of St. Ambroise): k, "Vouchsafe, O Lord, to keep us this day" (alto)
Henry Purcell