The Collector's Edition
0
Album tracks
List
7
Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Passacaglia, for orchestra, Op. 33b (from "Peter Grimes")
9
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Theme (Allegro maestoso e largamente)
10
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation A: Flutes and piccolo
11
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation B: Oboes (Lento)
12
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation C: Clarinets (Moderato)
13
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation D: Bassoons (Allegro alla marcia)
14
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation E: Violins (Brillante: alla polacca)
15
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation F: Violas (Meno mosso)
16
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation G: Cellos
17
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation H: Double basses (Comminciando lento ma poco accel. al Allegro)
18
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation I: Harp (Maestoso)
19
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation J: Horns (L'istesso tempo)
20
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation K: Trumpets (Vivace)
21
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation L: Trombones and bass tuba (Allegro pomposo)
22
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation M: Percussion (Moderato)
23
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Fugue (Allegro molto)
34
Diversions, for piano, left hand & orchestra, Op. 21: Variation 9: Toccata 1 - Toccata 2 - Cadenza
36
Diversions, for piano, left hand & orchestra, Op. 21: Variation 11: Finale (Tarantella)
47
Violin Concerto in D minor, Op. 15: 3. Passacaglia (Andante lento - Un poco meno mosso)
53
Variations on a Theme by Frank Bridge, for strings, Op. 10: Introduction and Theme
57
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 4: Aria italiana
58
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 5: Bourrée classique
59
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 6: Wiener Walzer
60
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 7: Moto perpetuo
61
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 8: Funeral March
63
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 10: Fugue and Finale
65
Lachrymae, reflections on a song of Dowland, for viola & string orchestra, Op. 48a
66
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 1. The Tournament
67
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 2. The Lute Song
68
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. March
69
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Coranto
70
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Pavane
71
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Morris Dance
72
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Galliard
73
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Lavolta
74
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 4. Gloriana moritura
85
Suite on English folk tunes (A time there was), for orchestra, Op. 90: 1. Cakes and Ale
86
Suite on English folk tunes (A time there was), for orchestra, Op. 90: 2. The Bitter Withy
87
Suite on English folk tunes (A time there was), for orchestra, Op. 90: 3. Hankin Booby
88
Suite on English folk tunes (A time there was), for orchestra, Op. 90: 4. Hunt the Squirrel
89
Suite on English folk tunes (A time there was), for orchestra, Op. 90: 5. Lord Melbourne
108
The Prince of the Pagodas, ballet, Op. 57: Act 1. Entry of the Pages and the Four Kings
109
The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the North
110
The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the East
111
The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the West
112
The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the South
113
The Prince of the Pagodas, ballet, Op. 57: Act 1. The Kings bow before the Emperor
114
The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of Princess Belle Epine
115
The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of Princess Belle Rose and Pas de Deux
120
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Introduction: Belle Rose borne in by the Frogs
121
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Waltz: Clouds, Stars and Moon
122
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Belle Rose borne in by the Frogs
123
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Entrée: Sea Horses, Fish Creatures and Waves
125
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Fish Creatures
127
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Belle Rose borne in by the Frogs
128
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Pas de deux: Male and Female Flames
130
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Female Flame
132
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Belle Rose, exhausted, borne in by the Frogs
133
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Belle Rose in darkness
136
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Pas de deux: The Prince and Belle Rose
137
The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Belle Rose hunts for the Prince
140
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 1. Appearance of Belle Rose and the Salamander
143
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 1: Pas de deux
144
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 2: Girl's Solo
145
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 3: Boy's Solo
148
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de caractère: The Emperor and the Fool
149
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de deux: Belle Rose and the Prince of the Pagodas
150
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 4: The Prince
151
The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 5: Belle Rose
179
String Quartet No. 3, Op. 94: 5. Recitative and Passacaglia (La Serenissima) (Slow)
237
Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 4. Bacchus (Allegro pesante)
238
Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 5. Narcissus (Lento piacevole)
244
Nocturnal after John Dowland, for guitar, Op. 70: 5. March-like (Quasi una marcia)
249
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Requiem aeternam. Requiem aeternam dona eis Domine
250
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Requiem aeternam. What passing bells for these who die as cattle?
251
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Requiem aeternam. Kyrie eleison
252
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. dies irae, dies illa
253
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Bugles sang, saddening the evening air
254
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Liber scriptus proferetur
255
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Out there, we've walked quite friendly up to Death
256
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Recordare Jesu pie
257
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Be slowly lifted up, thou long black arm
258
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Dies irae, dies illa
259
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Lacrimosa dies illa
260
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Move him into the sun . . . Pie Jesu
261
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Offertorium. Domine Jesu Christe
262
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Offertorium. So Abram rose, and clave the wood, and went
263
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Sanctus. Sanctus, sanctus, sanctus
264
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Sanctus. Benedictus qui venit in nomine Domini
265
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Sanctus. After the blast of lightning from the East
266
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Agnus Dei
267
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Libera me. Libera me, Domine, de morte aeterna
268
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Libera me. It seemed that out of battle I escaped
269
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Libera me. Let us sleep now... In paradisum
270
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. Introduction
271
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. The Merry Cuckoo
272
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. Spring, the sweet Spring
273
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. The Driving Boy
274
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. The Morning Star
275
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 2. Welcome Maids of Honour
276
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 2. Waters above
277
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 2. Out on the lawn I lie abed
278
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 3. When will my May come?
279
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 3. Fair and fair
280
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 3. Sound the flute
281
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 4. Finale: London, to thee I do present
284
Hymn to St. Cecilia, for chorus, Op. 27: 3. O ear whose creatures cannot wish to fail
285
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 1. Procession
286
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 2. Wolcum Yole!
287
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 3. There is no rose
288
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 4. a. That yongë child
289
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 4. b. Balulalow
290
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 5. As dew in Aprille
291
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 6. This little babe
292
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 7. Interlude (Andante pastorale)
293
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 8. In freezing winter night
294
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 9. Spring Carol
295
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 10. Deo gracias!
296
A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 11. Recession
303
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: Rejoice in God, o ye Tongues
304
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For I will consider my Cat Jeoffry
305
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For the Mouse is a creature of great personal valour
306
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For the flowers are great blessings
307
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For I am under the same accusation with My Saviour
308
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For H is a spirit and therefore he is God
309
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: Hallelujah from the heart of God
313
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 1. Introduction
314
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 2. The Birth of Nicolas
315
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 3. Nicolas devotes himself to God
316
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 4. He journeys to Palestine
317
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 5. Nicolas comes to Myra and is chosen Bishop
318
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 6. Nicolas from Prison
319
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 7. Nicolas and the Pickled Boys
320
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 8. His Piety and Marvellous Works
321
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 9. The death of Nicolas
324
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 1. St Godric's Hymn
325
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 2. I mon waxe sod
326
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 3. Lenten is come
327
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 4. The long night
328
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 5. Yif ic of luve can
330
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 7. Ye that pasen by
332
The Little Sweep, children's opera, Op. 45: Scene 1. 1. The Sweep's Song: Sweep! Sweep! (Audience Song 1)
333
The Little Sweep, children's opera, Op. 45: Scene 1. 2. Quartet: Sweep this chimney
334
The Little Sweep, children's opera, Op. 45: Scene 1. 3. Duet: Now, little white boy!
335
The Little Sweep, children's opera, Op. 45: Scene 1. 3a. Hide and Seek: Juliet! Juliet!
336
The Little Sweep, children's opera, Op. 45: Scene 1. 4. Shanty: Pull the rope gently
338
The Little Sweep, children's opera, Op. 45: Scene 1. 6. Marching Song: Sooty tracks upon the sheet
341
The Little Sweep, children's opera, Op. 45: Scene 1. 9. Sammy's Bath: The kettles are singing (Audience Song 2)
342
The Little Sweep, children's opera, Op. 45: Scene 2. 10. Ensemble: O why do you weep...
344
The Little Sweep, children's opera, Op. 45: Scene 2. 12. Scene: Ah!... Blackguards
345
The Little Sweep, children's opera, Op. 45: Scene 2. 13. Finale: Help! Help! She's collapsed!
346
The Little Sweep, children's opera, Op. 45: Scene 2. 14. The Night Song: The owl, wide-winging (Audience Song 3)
347
The Little Sweep, children's opera, Op. 45: Scene 3. 15. Aria: Soon the coach will carry you away
348
The Little Sweep, children's opera, Op. 45: Scene 3. 16. Ensemble: Morning, Sammy
349
The Little Sweep, children's opera, Op. 45: Scene 3. 17. Trio and Ensemble: Ready, Alfred?
350
The Little Sweep, children's opera, Op. 45: Scene 3. 18. Finale: Coaching Song: The Horses and champing (Audience Song 4)
352
A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 1. Lullay, Jesu
354
A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 3. Jesu, as Thou art our Saviour
355
A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 4. The Three Kings
356
A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 5. In the Bleak Mid-Winter
360
Noye's Fludde, children's opera, Op. 59: I, God, that all this worlde hath wroughte
381
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 1. 1. Chaos
382
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 1. 2. The Morning Stars
383
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 2. 3. Angels appear to Jacob, Elisha and Mary
384
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 2. 4. Christ, the fair glory
385
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 2. 5. War in Heaven
386
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 6. Heaven is here
387
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 7. A thousand, thousand gleaming fires
388
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 8. Funeral March for a Boy
389
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 9. Whoso dwelleth under the defence of the most High
390
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 10. There came out also at this time
391
The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 11. Ye watchers and ye holy ones
394
Ballad of Heroes, for high voice, chorus & orchestra, Op. 14: 3. Recitative and Choral
405
Les illuminations, song cycle for high voice & strings, Op. 18: 7. Being Beauteous
418
Nocturne, for tenor, 7 instruments & strings, Op. 60: Below the thunders of the upper deep
419
Nocturne, for tenor, 7 instruments & strings, Op. 60: Encinctured with a twine of leaves
420
Nocturne, for tenor, 7 instruments & strings, Op. 60: Midnight's bell goes ting, ting, ting, ting, ting
421
Nocturne, for tenor, 7 instruments & strings, Op. 60: But that night when on my bed I lay
422
Nocturne, for tenor, 7 instruments & strings, Op. 60: She sleeps on soft, last breaths
423
Nocturne, for tenor, 7 instruments & strings, Op. 60: What is more gentle whan a wind in summer?
424
Nocturne, for tenor, 7 instruments & strings, Op. 60: When most I wink, then do my eyes best see
432
Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: C. Dance of Death
433
Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: Epilogue and Funeral March
438
Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: In May, in brilliant Athens
439
Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: O Gods of wrath
440
Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: My time's too short, your highness
443
Folksong Arrangements, Vol. II "France", for voice & piano: Fileuse, folksong for voice & piano (Folk Songs, Vol. 2)
444
Folksong Arrangements, Vol. II "France", for voice & piano: Quand j'étais chez mon père, for voice & piano (Folk Songs, Vol. 2)
445
Le roi s'en va-t'en chasse, for voice & piano (Folk Songs, Vol. 2) Le roi s'en va-t'en chasse
446
Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 1. Sì come nella penna (16)
447
Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 2. A che più debb'io mai (31)
448
Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 3. Veggio co' bei vostri occhi (30)
450
Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 5. Rendete a gli occhi miei (38)
453
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 1. Oh my blacke soule
454
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 2. Batter my heart
455
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 3. O might those sighes and teares
457
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 5. What if this present
458
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 6. Since she whom I loved
459
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 7. At the round earth's imagined corners
460
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 8. Thou hast made me
461
The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 9. Death, be not proud
462
On this Island, song cycle for voice & piano, Op. 11: 1. Let the florid music praise!
463
On this Island, song cycle for voice & piano, Op. 11: 2. Now the leaves are falling fast
468
Winter Words, song cycle for tenor & piano, Op. 52: 2. Midnight on the Great Western (or the Journeying Boy)
469
Winter Words, song cycle for tenor & piano, Op. 52: 3. Wagtail and Baby (A Satire)
471
Winter Words, song cycle for tenor & piano, Op. 52: 5. The Choirmaster's Burial (or The Tenor Man's Story)
472
Winter Words, song cycle for tenor & piano, Op. 52: 6. The Proud Songsters (Thrushes, Finches and Nightingales)
473
Winter Words, song cycle for tenor & piano, Op. 52: 7. At the Railway Station, Upway (or The Convict and Boy with the Violin)
478
Canticle IV: The Journey of the Magi, for countertenor, tenor, baritone & piano, Op. 86
490
Beware!, early songs (3) for medium voice & piano: 2. O that I had ne'er been married
496
Dawtie's Devotion, song for voice & piano (discarded from "Who are these Children," Op. 84)
497
Tradition, song for voice & piano (discarded from "Who are these Children," Op. 84)
498
The Gully, song for voice & piano (discarded from "Who are these Children," Op. 84)
504
Folksong Arrangements, Vol. III "British Isles", for voice & piano Sweet Polly Oliver
505
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano The Minstrel Boy
506
Folksong Arrangements, Vol. V "British Isles", for voice & piano: The Brisk Young Widow
508
Folksong Arrangements, Vol. V "British Isles", for voice & piano: The Lincolnshire Poacher
509
Folksong Arrangements, Vol. I "British Isles", for voice & piano: O can ye sew cushions?
510
Folksong Arrangements, Vol. I "British Isles", for voice & piano: The trees they grow so high
511
Folksong Arrangements, Vol. V "British Isles", for voice & piano Early one morning
512
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano How sweet the answer
514
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: The last rose of Summer
515
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: Dear Harp of my Country!
516
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: Oft in the stilly night
518
Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: Sound the Trumpet
519
Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: I attempt from love's sickness to fly
520
Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: Lost is my quiet for ever
521
Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano: Fairest Isle
522
Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: What can we poor females do?
523
Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano: I'll sail upon the Dog-star
524
Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano: Hears not my Phyllis (The Knotting Song), song, Z. 371
525
Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: Man is for the woman made
526
Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 1. Let sullen discord smile
527
Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 2. Why should men quarrel
528
Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 3. So when the glittering Queen of Night
529
Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 4. Thou tun'st this world
530
Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 5a. 'tis holiday / 5b. Sound Fame thy brazen trumpet
532
Frühlingsnacht ("Uberm Garten durch die Lüfte"), song for voice & piano (Liederkreis), Op. 39/12
535
Paul Bunyan, operetta, Op. 17: 2. Prologue. No. No. We do not want life to be slow
536
Paul Bunyan, operetta, Op. 17: 2. Prologue. Ooh! Ooh! O how terrible to be as old fashined as a tree
538
Paul Bunyan, operetta, Op. 17: 2. Prologue. It isn't very often the conservatives are wrong... / But once in a while the odd thing
539
Paul Bunyan, operetta, Op. 17: 2a. First Ballad Interlude: The cold wind blew through the crooked thorn
542
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 4. Lumberjack's Chorus: My birthplace was in Sweden
544
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 5. Quartet of Swedes: Swedish born and Swedish bred
545
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 6. Western Union Boy's Song: A telegram from oversea
546
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 7. Cooks' Duet: Sam for soups. Ben for beans
547
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 8. Animal Trio: Ah! Miaou! The single creature lives a partial life
549
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 8b. Exit of Lumberjacks: Down the line... Timberr
550
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 9. The Blues: Gold in the North came the blizzard to say
552
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 10a. Second Ballad Interlude: The Spring came and the Summer and Fall
553
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 11. Food Chorus: Do I look the sort of fellow
554
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 12. Chorus Accusation: There now look what you have done
555
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 12a. Slim's Song: In fair days and foul... I come from open spaces
556
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 13. Bunyan's Return: Look, the Chief is back
557
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 14. Inkslinger's Song: It was out in the sticks
560
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 15a. Tiny's Song: Ah!... Whether the sun shine upon children playing
561
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 16. Inkslinger's Regret: All the little brooks of love
564
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 18a. Shears' Song: It has always been my dream
566
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 19. Farmer's Song: The shanty-boy invades the wood
568
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 20. The Mocking of Hel Helson: Heron, heron winging by
569
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 21. Fido's Sympathy: Why won't you tell me what's the matter?
570
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 22. Cat's Creed: Let Man the romantic in vision espy
571
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23. The Fight: What is it? What's happening?
572
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23a. Love Duet: Move, move from the trysting stone
573
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23b. Mock Funeral March: Take away the body and lay it on ice
574
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23c. Hymn: O great day of discovery!
575
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 24. Third Ballad Interlude: So Helson smiled and Bunyan smiled
576
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Rah! Another slice of turkey
577
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Dear friends, with your leave
578
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Carry her over the water
579
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Where we are is not very far
580
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. A telegram from Hollywood
581
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. We always knew that one day you
583
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 27. Litany: The campfire embers are black and cold
595
Peter Grimes, opera, Op. 33: Act 1. Scene 1. Let her among you without a fault cast the first stone
608
Peter Grimes, opera, Op. 33: Act 2. Scene 1. Glitter of waves and glitter of sunlight
613
Peter Grimes, opera, Op. 33: Act 2. Scene 1. We planned that their lives should have a new start
618
Peter Grimes, opera, Op. 33: Act 2. Scene 2. In dreams I've built myself some kindlier home
625
Peter Grimes, opera, Op. 33: Act 3. Scene 1. Embroidery in childhood was a luxury of idleness
627
Peter Grimes, opera, Op. 33: Act 3. Scene 1. Who holds himself apart lets his pride rise
665
A Midsummer Night's Dream, opera, Op. 64: Act 1. Introduction: The wood, deepening twilight. Over hill, over dale
666
A Midsummer Night's Dream, opera, Op. 64: Act 1. Oberon is passing fell and wrath
669
A Midsummer Night's Dream, opera, Op. 64: Act 1. Be it on lion, bear, or wolf, or bull
670
A Midsummer Night's Dream, opera, Op. 64: Act 1. Welcome wanderer... I know a bank
672
A Midsummer Night's Dream, opera, Op. 64: Act 1. Fair love, you faint with wand'ring in the wood
674
A Midsummer Night's Dream, opera, Op. 64: Act 1. Stay, though thou kill me, sweet Demetrius
675
A Midsummer Night's Dream, opera, Op. 64: Act 1. Come, now a roundel and a fairy song
676
A Midsummer Night's Dream, opera, Op. 64: Act 1. You spotted snakes with double tongue
677
A Midsummer Night's Dream, opera, Op. 64: Act 1. What thou seest when thou dost wake
681
A Midsummer Night's Dream, opera, Op. 64: Act 2. Be kind and courteous to this gentleman
690
A Midsummer Night's Dream, opera, Op. 64: Act 3. Introduction: The wood, early next morning. My gentle Robin, seest thou this sweet sight?
691
A Midsummer Night's Dream, opera, Op. 64: Act 3. Helena! Hermia! Demetrius! Lysander!
693
A Midsummer Night's Dream, opera, Op. 64: Act 3. Have you sent to Bottom's house?
694
A Midsummer Night's Dream, opera, Op. 64: Act 3. Theseus' palace. Now, fair Hippolyta
695
A Midsummer Night's Dream, opera, Op. 64: Act 3. If we offend, it is with our good will
696
A Midsummer Night's Dream, opera, Op. 64: Act 3. Gentles, perchance you wonder at this show
697
A Midsummer Night's Dream, opera, Op. 64: Act 3. In this same interlude it doth befall
698
A Midsummer Night's Dream, opera, Op. 64: Act 3. O grim-look'd night, O night with hue so black
699
A Midsummer Night's Dream, opera, Op. 64: Act 3. O Wall, full often hast thou heard my moans
700
A Midsummer Night's Dream, opera, Op. 64: Act 3. You ladies, you whose gentle hearts do fear
701
A Midsummer Night's Dream, opera, Op. 64: Act 3. This lanthorn doth the hornèd moon present
702
A Midsummer Night's Dream, opera, Op. 64: Act 3. Sweet Moon, I thank thee for thy sunny beams
706
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Rome is now ruled by the Etruscan upstart
707
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. It is an axiom among kings
708
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Here the thirsty evening
710
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. With you two arm in arm again
711
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Interlude: Tarquinius does not wait
712
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. Their spinning wheel unwinds
713
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. It is better to desire
714
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. The oatmeal slippers of sleep
715
The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. None of the women move
716
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. She sleeps as a rose
717
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Lucretia!... What do you want?
719
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Interlude: Here in this scene you see
720
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Oh! What a lovely day!
721
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. How hideous! Take them away!
722
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Flowers bring to every year
724
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. This dead hand lets fall
725
The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Is all this suffering and pain
726
Peter Grimes, opera, Op. 33: Act 2. Scene 1. Whatever you say... Let her among you without fault
732
Peter Grimes, opera, Op. 33: Act 2. Scene 2. In dreams I've built myself some kindlier home
736
Folksong Arrangements, Vol. III "British Isles", for voice & piano: The Plough Boy
737
Folksong Arrangements, Vol. III "British Isles", for voice & piano: Come you not from Newcastle?
738
Folksong Arrangements, Vol. III "British Isles", for voice & piano: The Foggy, Foggy Dew
739
Folksong Arrangements, Vol. III "British Isles", for voice & piano: The King is gone a-hunting