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TA212 The Technology of Music: Block 2 image

TA212 The Technology of Music: Block 2

Band / artist:
Release date:
01.01.2007
Plays count:
0

Album tracks

List

1

Block 2, Chapter 1, Activity 1a: Eight Sounds
Block 2, Chapter 1, Activity 1a: Eight Sounds

2

Block 2, Chapter 1, Activity 1b: Eight Sounds
Block 2, Chapter 1, Activity 1b: Eight Sounds

3

Block 2, Chapter 1, Activity 1c: Eight Sounds
Block 2, Chapter 1, Activity 1c: Eight Sounds

4

Block 2, Chapter 1, Activity 1d: Eight Sounds
Block 2, Chapter 1, Activity 1d: Eight Sounds

5

Block 2, Chapter 1, Activity 1e: Eight Sounds
Block 2, Chapter 1, Activity 1e: Eight Sounds

6

Block 2, Chapter 1, Activity 1f: Eight Sounds
Block 2, Chapter 1, Activity 1f: Eight Sounds

7

Block 2, Chapter 1, Activity 1g: Eight Sounds
Block 2, Chapter 1, Activity 1g: Eight Sounds

8

Block 2, Chapter 1, Activity 1h: Eight Sounds
Block 2, Chapter 1, Activity 1h: Eight Sounds

9

Block 2, Chapter 1, Activity 10: Five Sine Waves
Block 2, Chapter 1, Activity 10: Five Sine Waves

10

Block 2, Chapter 1, Activity 17: Delay
Block 2, Chapter 1, Activity 17: Delay

11

Block 2, Chapter 1, Activity 18: Antiphonal Music in Context
Block 2, Chapter 1, Activity 18: Antiphonal Music in Context

12

Block 2, Chapter 1, Activity 25: Flanging in Context
Block 2, Chapter 1, Activity 25: Flanging in Context

13

Block 2, Chapter 1, Activity 37: Amplitude Increments 1
Block 2, Chapter 1, Activity 37: Amplitude Increments 1

14

Block 2, Chapter 1, Activity 41: Amplitude Increments 2
Block 2, Chapter 1, Activity 41: Amplitude Increments 2

15

Block 2, Chapter 2, Activity 1: Instrumental Sounds
Block 2, Chapter 2, Activity 1: Instrumental Sounds

16

Block 2, Chapter 2, Activity 8: Changing the Phase
Block 2, Chapter 2, Activity 8: Changing the Phase

17

Block 2, Chapter 2, Activity 12: Oboe Note
Block 2, Chapter 2, Activity 12: Oboe Note

18

Block 2, Chapter 2, Activity 13: Removing a Note's Attack
Block 2, Chapter 2, Activity 13: Removing a Note's Attack

19

Block 2, Chapter 2, Activity 17: Removing the Fundamental
Block 2, Chapter 2, Activity 17: Removing the Fundamental

20

Block 2, Chapter 2, Activity 18: Switching a Harmonic on and Off
Block 2, Chapter 2, Activity 18: Switching a Harmonic on and Off

21

Block 2, Chapter 2, Activity 38: Ascending by Major Thirds
Block 2, Chapter 2, Activity 38: Ascending by Major Thirds

22

Block 2, Chapter 2, Activity 39: Tuning and Temperament
Block 2, Chapter 2, Activity 39: Tuning and Temperament

23

Block 2, Chapter 3, Activity 4a: Pulse in Context
Block 2, Chapter 3, Activity 4a: Pulse in Context

24

Block 2, Chapter 3, Activity 4b: Pulse in Context
Block 2, Chapter 3, Activity 4b: Pulse in Context

25

Block 2, Chapter 3, Activity 6a: Varying Note Values in Context
Block 2, Chapter 3, Activity 6a: Varying Note Values in Context

26

Block 2, Chapter 3, Activity 6b: Varying Note Values in Context
Block 2, Chapter 3, Activity 6b: Varying Note Values in Context

27

Block 2, Chapter 3, Activity 6c: Varying Note Values in Context
Block 2, Chapter 3, Activity 6c: Varying Note Values in Context

28

Block 2, Chapter 3, Activity 8: Flexibility of Pulse in Context
Block 2, Chapter 3, Activity 8: Flexibility of Pulse in Context

29

Block 2, Chapter 3, Activity 10: Interpreting the Time Signature
Block 2, Chapter 3, Activity 10: Interpreting the Time Signature

30

Block 2, Chapter 3, Activity 13a: Time Signatures in Context
Block 2, Chapter 3, Activity 13a: Time Signatures in Context

31

Block 2, Chapter 3, Activity 13b: Time Signatures in Context
Block 2, Chapter 3, Activity 13b: Time Signatures in Context

32

Block 2, Chapter 3, Activity 13c: Time Signatures in Context
Block 2, Chapter 3, Activity 13c: Time Signatures in Context

33

Block 2, Chapter 3, Activity 13d: Time Signatures in Context
Block 2, Chapter 3, Activity 13d: Time Signatures in Context

34

Block 2, Chapter 3, Activity 13e: Time Signatures in Context
Block 2, Chapter 3, Activity 13e: Time Signatures in Context

35

Block 2, Chapter 3, Activity 14: Syncopation in Context
Block 2, Chapter 3, Activity 14: Syncopation in Context

36

Block 2, Chapter 3, Activity 16: Notes With 2:1 Relative Durations
Block 2, Chapter 3, Activity 16: Notes With 2:1 Relative Durations

37

Block 2, Chapter 3, Activity 22: Expressivity in Performance
Block 2, Chapter 3, Activity 22: Expressivity in Performance

38

Block 2, Chapter 3, Activity 25: Jazz Idiom of Paired Notes in Context
Block 2, Chapter 3, Activity 25: Jazz Idiom of Paired Notes in Context

39

Block 2, Chapter 3, Activity 26: Computerised Interpretation
Block 2, Chapter 3, Activity 26: Computerised Interpretation

40

Block 2, Chapter 4, Activity 11: Reverberant Sounds
Block 2, Chapter 4, Activity 11: Reverberant Sounds

41

Block 2, Chapter 4, Activity 14: Reverberation Times
Block 2, Chapter 4, Activity 14: Reverberation Times

42

Block 2, Chapter 4, Activity 24: Multiple Echoes
Block 2, Chapter 4, Activity 24: Multiple Echoes

43

Block 2, Chapter 5, Activity 8: Beating in Context
Block 2, Chapter 5, Activity 8: Beating in Context

44

Block 2, Chapter 5, Activity 13: Sketching What You Hear
Block 2, Chapter 5, Activity 13: Sketching What You Hear

45

Block 2, Chapter 5, Activity 20: Streaming in Context
Block 2, Chapter 5, Activity 20: Streaming in Context

46

Block 2, Chapter 5, Activity 21: Pitch Illusions 1
Block 2, Chapter 5, Activity 21: Pitch Illusions 1

47

Block 2, Chapter 5, Activity 24: Pitch Illusions 2
Block 2, Chapter 5, Activity 24: Pitch Illusions 2

48

Block 2, Chapter 5, Activity 25: Pitch Illusions in Context
Block 2, Chapter 5, Activity 25: Pitch Illusions in Context

49

Block 2, Chapter 5, Activity 26: Cultural Musical Styles in Context
Block 2, Chapter 5, Activity 26: Cultural Musical Styles in Context

50

Block 2, Chapter 5, Activity 28: Dissonance in Context
Block 2, Chapter 5, Activity 28: Dissonance in Context

51

Block 2, Chapter 5, Activity 29: The Diminished Fifth in Context
Block 2, Chapter 5, Activity 29: The Diminished Fifth in Context

52

Block 2, Chapter 5, Activity 31: Percussion in Contemporary Music
Block 2, Chapter 5, Activity 31: Percussion in Contemporary Music

53

Block 2, Chapter 5, Activity 32: From Noise to Musical Sound
Block 2, Chapter 5, Activity 32: From Noise to Musical Sound

54

Block 2, Chapter 5, Activity 33a: From Musical Sound to Music
Block 2, Chapter 5, Activity 33a: From Musical Sound to Music

55

Block 2, Chapter 5, Activity 33b: From Musical Sound to Music
Block 2, Chapter 5, Activity 33b: From Musical Sound to Music

56

Block 2, Chapter 5, Activity 34: New Sounds, New Music
Block 2, Chapter 5, Activity 34: New Sounds, New Music

57

Block 2, Chapter 5, Activity 35: Music Invoking Moods or Feelings
Block 2, Chapter 5, Activity 35: Music Invoking Moods or Feelings

58

Block 2, Chapter 5, Activity 36: Contemporary Music in Context
Block 2, Chapter 5, Activity 36: Contemporary Music in Context

59

Block 2, Chapter 6, Activity 7: Loading and Frequency Response
Block 2, Chapter 6, Activity 7: Loading and Frequency Response

60

Block 2, Chapter 6, Activity 16: Noise in Context
Block 2, Chapter 6, Activity 16: Noise in Context

61

Block 2, Chapter 6, Activity 17: Sine Wave and White Noise
Block 2, Chapter 6, Activity 17: Sine Wave and White Noise

62

Block 2, Chapter 6, Activity 18: Signal-to-Noise Ratio in Context
Block 2, Chapter 6, Activity 18: Signal-to-Noise Ratio in Context

63

Block 2, Chapter 6, Activity 23: Aliasing in Context
Block 2, Chapter 6, Activity 23: Aliasing in Context

64

Block 2, Chapter 6, Activity 25: Quantisation Levels in Context
Block 2, Chapter 6, Activity 25: Quantisation Levels in Context

65

Block 2, Chapter 6, Activity 26: Analogue Recording in Context
Block 2, Chapter 6, Activity 26: Analogue Recording in Context