Album tracks
List
2

Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": II. Adagio un poco mosso
4

Piano Concerto no. 1 in B-Flat minor, op. 23, TH 55: I. Allegro non troppo e molto maestoso: Allegro con spirito
5

Piano Concerto no. 1 in B-Flat minor, op. 23, TH 55: II. Andantino semplice: Prestissimo - Tempo I
9

4 Impromptus, op. 142, D. 935: no. 3 in B-Flat major: Theme (Andante) with Variations
30

Fantasy in C major, op. 15, D. 760 "Wanderer", Arr. Liszt: I. Allegro con fuoco
47

Piano Concerto no. 1 in B-Flat minor, op. 23, TH 55: II. Andantino semplice: Prestissimo - Tempo I
54

Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato: Quasi presto - Andante maestoso
58

Piano Concerto no. 2 in B-Flat major, op. 83: IV. Allegretto grazioso: Un poco più presto
63

Piano Concerto no. 5 in E-Flat major, op. 73 "Emperor": II. Adagio un poco mosso
75

Fantasie in C, op. 17: I. Durchaus fantastisch und leidenschaftlich vorzutragen: Im Legendenton - Erstes Tempo
76

Fantasie in C, op. 17: II. Mäßig. Durchaus energisch: Etwas langsamer - Viel bewegter
77

Fantasie in C, op. 17: III. Langsam getragen. Durchweg leise zu halten: Etwas bewegter
91

Fantasia for Piano in C, D.760 (op. 15) "Wanderer-Fantasie": Allegro con fuoco ma non troppo
100

Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato: Quasi presto - Andante maestoso
101

Piano Sonata in B minor, S. 178: Lento assai: Allegro energico - Grandioso - Recitativo
103

Piano Sonata in B minor, S. 178: Allegro energico: Andante sostenuto - Lento assai
110

Piano Quintet in A major, op. 81, B. 155: III. Scherzo (Furiant). Molto vivace (Poco tranquillo)
130

Liebeslieder-Walzer, op. 52, Verses From "Polydora": I. Rede, Mädchen, allzu liebes
131

Liebeslieder-Walzer, op. 52, Verses From "Polydora": II. Am Gesteine rauscht die Flut
132

Liebeslieder-Walzer, op. 52, Verses From "Polydora": III. O die Frauen, o die Frauen
133

Liebeslieder-Walzer, op. 52, Verses From "Polydora": IV. Wie des Abends schöne Röte
135

Liebeslieder-Walzer, op. 52, Verses From "Polydora": VI. Ein kleiner, hübscher Vogel nahm den Flug
136

Liebeslieder-Walzer, op. 52, Verses From "Polydora": VII. Wohl schön bewandt war es vorehe
137

Liebeslieder-Walzer, op. 52, Verses From "Polydora": VIII. Wenn so lind dein Auge mir
138

Liebeslieder-Walzer, op. 52, Verses From "Polydora": IX. Am Donaustrande, da steht ein Haus
139

Liebeslieder-Walzer, op. 52, Verses From "Polydora": X. O wie sanft die Quelle sich
140

Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1I. Nein, es ist nicht auszukommen
141

Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1II. Schlosser auf! und mache Schlösser
142

Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1III. Vögelein durchrauscht die Luft
143

Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1IV. Sieh, wie ist die Welle klar
144

Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1V. Nachtigall, sie singt so schön
145

Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1VI. Ein dunkler Schacht ist Liebe
146

Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1VII. Nicht wandle, mein Licht, dort aussen
147

Liebeslieder-Walzer, op. 52, Verses From "Polydora": 1VIII. Es bebet das Gesträuche
152

Piano Quintet in A major, D. 667 "Trout": IV. Thema: Andantino - Variazioni I-V - Allegretto
166

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": I. Introduzione col Basso del Tema: Allegretto vivace
167

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": III. Variation 1
168

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": IV. Variation 2
169

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": V. Variation 3
170

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": VI. Variation 4
171

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": VII. Variation 5
172

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": VIII. Variation 6
173

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": IX. Variation 7 Canone all'Ottava
174

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": X. Variation 8
175

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1I. Variation 9
176

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1II. Variation 10
177

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1III. Variation 11
178

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1IV. Variation 12
179

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1V. Variation 13
180

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1VI. Variation 14 minore
181

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1VII. Variation 15 Maggiore. Largo
182

15 Variations and Fugue in E-Flat major, op. 35, "Eroica Variations": 1VIII. Finale. Alla Fuga. Allegro con brio
192

Piano Sonata no. 21 in B-Flat major, D. 960: III. Scherzo (Allegro vivace con delicatezza)
202

Années de pèlerinage: Deuxième année: Italie, S. 161: V. Sonetto 104 del Petrarca
223

Clifford Curzon on Schnabel: "Just now you mentioned Schnabel's teacher..."
224

Clifford Curzon on Schnabel: "You've only touched on Schnabel's qualities..."
228

Clifford Curzon on Schnabel: "As he had the pick of the world's talent"
229

Clifford Curzon on Schnabel: "Clifford, it's just over twenty years now..."
230

Clifford Curzon on Schnabel: "What made him, in many ways, the ideal..."
231

Clifford Curzon on Schnabel: "Finally, Clifford, what are your memories..."
251

Piano Sonata no. 21 in B-Flat major, D. 960: III. Scherzo (Allegro vivace con delicatezza)
256

Arthur Schnabel as a Teacher: His physical gifts were no less unusual than his mental...
257

Arthur Schnabel as a Teacher: Technique: in the usual sense of pianistic facility...
258

Personalities in British Music: Clifford Curzon: The main musical influence in my life...
259

Personalities in British Music: Clifford Curzon: I think the people who criticise Schnabel...
260

Personalities in British Music: Clifford Curzon: Sir Henry Wood helped me a great deal...
261

Personalities in British Music: Clifford Curzon: What do you think of the influence of...
262

Personalities in British Music: Clifford Curzon: I certainly have a favourite composer...
263

Clifford Curzon talking about Sir Henry Wood: Sir Henry Wood has had a strong influence on my life...
268

Royal Philharmonic Society Gold Medal Ceremony 1980: Sir Michael, friends and colleagues...
270

Clifford Curzon extemporises: I've known people who, at about the age of three...
272

Clifford Curzon extemporises: Another thing that a lot of people don't realise...
280

Piano Sonata no. 21 in B-Flat major, D. 960: III. Scherzo (Allegro vivace con delicatezza)